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Open a larger version of the following image in a popup:After Rain, Diriyah Contemporary Art Biennale 2024, Priyageetha Dia, Mesh: Prelude to Spectre System (2024), Vinyl print, Dimensions variable, Image courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti.
Open a larger version of the following image in a popup:After Rain, Diriyah Contemporary Art Biennale 2024, Priyageetha Dia, Mesh: Prelude to Spectre System (2024), Vinyl print, Dimensions variable, Image courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti.
Open a larger version of the following image in a popup:After Rain, Diriyah Contemporary Art Biennale 2024, Priyageetha Dia, Mesh: Prelude to Spectre System (2024), Vinyl print, Dimensions variable, Image courtesy of the Diriyah Biennale Foundation, photo by Marco Cappelletti.
Spectre System examines plantation corporatism and labour migration on the Malay Peninsula. Formerly one of the British Empire’s most profitable colonies, Malaya relied on indentured workers from South India. A...
Spectre System examines plantation corporatism and labour migration on the Malay Peninsula. Formerly one of the British Empire’s most profitable colonies, Malaya relied on indentured workers from South India. A computer-generated protagonist reveals this terrain as a repository of memory and site of racialised dispossession. The animation extends into the physical space through a large vinyl print on the wall, Mesh: Prelude to Spectre System, in which elongated hands with gleaming skin seem to guide, embrace, or entrap viewers. Through this immersive image the artist strives to dissolve the boundaries between the body and space and reveal the environment we inhabit as a container of countless histories and handprints.
Commissioned by Han Nefkens Foundation for the Diriyah Contemporary Art Biennale 2024 Title Design: Studio Darius Ou Editor: Aki Hassan Video Assistant: Brandon Tay
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