Moi Tran
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
-
(View a larger image of thumbnail 15
)
-
(View a larger image of thumbnail 16
)
-
(View a larger image of thumbnail 17
)
-
(View a larger image of thumbnail 18
)
-
(View a larger image of thumbnail 19
)
-
(View a larger image of thumbnail 20
)
-
(View a larger image of thumbnail 21
)
-
(View a larger image of thumbnail 22
)
-
(View a larger image of thumbnail 23
)
-
(View a larger image of thumbnail 24
)
-
(View a larger image of thumbnail 25
)
The exhibition - titled after Maxine Hong Kingston’s 2011 novel - features mixed-media objects and documentation of live performance art, drawing on Tran’s lived experience as a Vietnamese refugee, alongside her continued engagement with diaspora visibility and nurturing critical knowledge sharing. Everyday Work Series - Hole Dg No. 1 documents the artist's moment of catharsis when she mourned the loss of her father, during which she was staying at a countryside and felt this urge to dig into the ground. After hours of digging, she then refilled the hole and over time, life grew over the surface again. This entire process was filmed and made into a series of photographs.