This large graphite drawing is an abstract observation derived from the same site as the painting next to it - Ratapan Angin. It also deals with the same idea of anthropogenic geomorphology through the intervention of the touristic man. It offers a different view and perspective of the plateau, similar to how the development of the area would change the view. The thick black lines across the drawing are iconic in Maryanto’s canvas works but also a representation of infrastructural frames that are being built in the area. The lines from the pipes and beams are intriguing to the artist, who see it as an artistic device to frame an image and thus this landscape, but also a violent foreign intrusion into it.